I accept select commissions.
Currently, the wait to begin a new project is approximately 2 months.
For me to consider your project, the first step is to contact me via email:
irby.diane@gmail.com
When doing so, please include a photo of the hair to be worked, alongside a ruler or other measuring device.
Once I can determine what is possible with the quantity and length of hair you would like me to work with, we can arrange a consultation to discuss the details. Consultations can be through chat, text, or over the phone.

If you have questions I have not addressed below, feel free to email me.

The artistry and attention to detail required to produce beautiful hairwork flowers are time-consuming and physically (and mentally) demanding. I appreciate your understanding of how this reflects in the cost of my work and the time it takes. Likewise, I appreciate your consideration and am honored to be trusted with such sacred materials.

FAQs

Which hairwork techniques do you specialize in?

I specialize in gimp/wire wrapping techniques. Hairwork artisans use wire wrapping techniques to create the components most commonly observed in hairwork wreaths and sculptures. These three-dimensional artworks often feature intricate floral and organic designs.
I also experiment with palette work (flat work) techniques, but I am still learning.
I have not yet tried sepia or table-braided hairwork, but I would like to someday.
Because hairwork is tedious, time-consuming, and takes a lot of practice, I have come to realize that if I wanted to attempt to master any of the techniques, I would need to focus on one type of hairwork. I chose to focus on wire wrapping because it has a unique place in hairwork history, it allows for much artistic freedom, and I just love the way hair wreaths and hair sculptures look.

What length of hair is required for hairwork?

- I can do a lot with a small quantity of hair; however, I require hair to be a minimum of five inches (pulled straight, but not stretched) with no layers. But of course, the longer, the better.
- Lengths of hair less than five inches are better suited for palette work (flat work).
- Very short hair can be used in sepia work.
- Although I do not create table braided hairwork, it is my understanding that the hair should be fairly lengthy for this technique. However, a hairwork artisan that specializes in table braided techniques is better suited to definitively answer that question.

How long does it take?

Currently, the wait to begin a new project is about 2 months. From there, it depends. Bespoke pieces are each unique in size and structure. Commissions always begin with a discussion regarding the hair you would like me to work with, what you envision, and what you can expect from me - including an estimated timeline. Once I begin a project, I send clients weekly updates on my progress.

How much does it cost?

A bespoke piece generally starts at $250 (example: petite bouquet in a 5”x5” shadowbox) and can go into the thousands, depending on the size and details. Various factors can affect the overall cost, including the condition of the hair to be worked. A consultation is necessary for me to provide an estimate. A 50% non-refundable deposit is required to add your project to my calendar. The remaining balance must be paid in full before I can ship the finished piece.

How did you learn to create hairwork?

During my undergraduate studies at Washington State University, my primary focus of research was on the topic of Victorian-era hairwork. As a historian of material culture, I have extensively researched all aspects of hairwork, from its cultural influence to its economic impact. Being an artist, I utilized the primary source materials from my research, such as Victorian-era periodicals and books, and studied countless Victorian-era hairwork pieces in order to learn about hairwork and teach myself hairwork techniques.

Are you qualified to provide lectures/available for speaking engagements/demonstrations?

I graduated Summa Cum Laude from Washington State University in 2022, receiving a bachelor’s degree in Humanities, with concentrations in History, Art History, and English (writing). If you are interested in having me speak or provide a demonstration to your class or group, please email me @ irby.diane@gmail.com.

I am a museum curator/television or film producer/antique dealer, and I am seeking information about Victorian-era hairwork. Can you help me?

If you are in need of a consultation, expert commentator, or valuation/appraisal, please email me @ irby.diane@gmail.com.

I have an antique hairwork piece that is in need of repairs. Can you help me?

Depends. I am more than happy to take a look at your piece and give you a more definitive answer. Keep in mind, there are different options to consider. Restoration attempts to return an artifact back to its original condition. By contrast, conservation attempts to preserve an artifact in its current condition. Both processes have their pros and cons. Please email me @ irby.diane@gmail and we can go from there.

I am a journalist/blogger. Are you available for interviews?

Sure! Please email me @ irby.diane@gmail.com.